“Sometimes You’ve Just Got to Assassinate a Horse…”

Plot out your nefarious deeds, because The Killing (1956) is the Greatest Movie EVER!

Click on the movie title or the DVD cover above to download our review of the film, featuring M.O.M., the Mistress of Malapropisms.

Review in a Nutshell: A late period film noir crime caper directed by Stanley Kubrick before he went full art monster, The Killing (1956) is a stylish and suspenseful heist flick featuring a strong cast of character actors that is well worth a watch or two.

2 Comments

  1. River's avatar River says:

    I’d agree with MOM that noir can’t be seen solely as a reaction to World War II, especially as so many of its literary influences predate the period.

    Interestingly Nino Frank’s original essay is more interested in structure than theme. Most of the essay is about the change in a Sherlock Holmes style of storytelling in which the detective is a vehicle to walk the reader through a puzzle box narrative, whereas the Chanderlian story was more interested in the detectives internal neurosis with a central mystery that is often nebulous or incoherent.

    I’d love to see y’all cover more noir films. Perhaps a neo noir like Chinatown, Night Moves or The Long Goodbye could be interesting. Those movies are very self consciously political and interested in the detective as an emblem of Americanness in a way that makes for good podcast material. It’s such a highly self-conscious tradition the neo-noir, it always seems to become a rumination on 20th century America as a whole.

  2. River's avatar River says:

    Also… What was your issue with The Man Who Wasn’t There? Excellent film.

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